The Briar Haven Series begins with Part I — The Demon Lives At Seven
No one greets me at the Briar Haven gate this time.
“I’m here to collect my daughter,” I say to one of four girls tinkering with some pup tents on the front lawn.
“She’s probably at activities,” they say, and then offer to holler her name for me.
I kind of hoped they were going to do that.
We count to three, and I join them in bellowing her name up the hillside.
A few seconds later, the faint echo of the return call:
“Cooooming!”
I look toward the sound. It has come from the water’s edge, where Mary sits with a cluster of girls on the teeter-totters; her head raised like a curious golden retriever, looking for me.
And then for the first time in three decades, my own name echoes on the hillside, a new name, a better name, an astonishing one.
“MOMMA!”
“BABY!!” I raise my arms and wave before I can stop myself, dorky and maternal and hopelessly excited.
She stands, starts toward me, and then shrieks and dives behind a tree.
It takes me a solid minute to cross the field. I had sort of pictured that at this moment we would be running into each other’s arms. Instead, I am talking to her through a Douglas Fir.
“I DON’T WANT TO GO!” she says. “I’m not ready!”
“Oh,” I say.
“Do you have your wallet?” she asks.
“What do you need?”
“Two more weeks,” she answers.
“Sounds like it went well,” I say.
“Momma, Briar Haven is THE BEST PLACE ON THE ENTIRE PLANET AND I AM NOT DONE YET.”
I laugh. Finally she comes out from behind the tree, hugs me, but only briefly, and then I ask her for a tour.
“But don’t you know Briar Haven?” she asks.
“This is your place now. I want you to show it to me.”
She walks me along the buildings of my childhood summers – the rickety steps to the dining hall with its long battered wood tables and little glasses of wildflowers. The assembly hall with the stone fireplace and the piano that’s probably the same one on which I learned to play “Chopsticks.”
Camp rosters going back 40 years are painted on the ceiling. I locate mine – 1982, ’83, ’84 – and point to my name. Mare is mildly impressed, but mostly she is looking longingly at the full-session girls, who are singing and making things and squealing the way only girls can.
This is Briar Haven – not the private place of my memories, where I have been taken over the years by the odd whisper of lake and pine, the place of sadness and misty shame. I am here in corporeal, my feet on the dock, admiring a wooden canoe that is “old-fashioned” but was new when I paddled it. I am here watching that brown-legged girl of mine smile and wave at friends and explain to me the procedure for signing in and out of boating.
Finally, we are in the office. Mare wants to look at the pictures of girls in bloomers. Many of them have been replaced by photographs that are more recent, although to Mare they still seem ancient. She peers at long columns of girls in unit portraits from the late 1970s and early ‘80s. I’m not helping her find mine. (I have a copy of it in the basement – I am the drawn-faced girl, standing apart, with eyes that echo darkness.)
Behind us, the desk where I called my mother 28 years ago.
I deserved better.
The thought explodes in a flash of sadness, and is quickly gone.
What better is there than Cute Husband and me, and our babies and the Tilty-Floored Farmhouse? If something died here, something powerful and good was born here, too. I love the woman that miserable little girl became, I love her nerve and her ferocity, her empathy and passion for the life she has built for herself.
This is who I was meant to be, and it is good.
“It’s time,” I say to Mare.
I load up the trunk and the duffle. Mare says her goodbyes. Amy Williams whispers in my ear, “She’s a really special girl.”
I drive away with my sobbing special girl, and now the old memories are no longer the only ones. I am a proud Havener Mother. The whole way home Mary tells me about campcraft, and canoeing and the ZIP WIRE! – Yes, she did it, and she didn’t even need a push and it was the most amazing thing ever.
I am grateful to – have come to love – the place that has cared for my daughter so well, and which in its own way protected me as best as was possible.
That night is the first in twelve that I sleep soundly. I have no idea where the phone is and there isn’t anything anybody has to say to me that can’t wait.
I get up early and make crêpes. Ren is still asleep, Eden is stomping around, and Mare is outside using her camp knife to make a fairy wand to surprise her sisters.
She comes in with blood running down her hand.
I grab the First Aid kit and execute a perfect, Briar Haven-trained pressure dressing. Cute Husband stays with the Littles and I put Mare in the car for the Emergency Room.
She sobs that she doesn’t want stitches. I tell her she can’t control whether or not she is getting stitches, so it’s best to stay calm and see what comes.
She is not calm. She is shrieking. She is Freaking Out.
“Hey, want to hear a funny story?” I ask her. “Your fifth night at camp, I lost my mind and called the director.”
“You did?” she asks, sniffling. “Why?”
“Because I missed my baybeee!!” I sing-song. She giggles. “They said you were picking blueberries, and I said, ‘Doesn’t she need her Mommy?’ and they said, ‘Um, no. Not really. Seems fine.’”
Mare laughs.
“It’s true, I didn’t need you,” she says smugly. “I didn’t miss you, once.” And for a few minutes she is quiet and happy … and then she’s bawling again, begging me to tell her she’s not going to have stitches.
The PA at the emergency room peels back the bloody gauze, looks up at me and nods.
“Do I need stitches?” Mare gulps.
“We’ll give her Tylenol and we can do a topical anesthetic cream,” he says. “Followed by an injection to numb the area and then we’ll do the procedure.”
“Okay,” I say.
Her eyes dart to me.
“AM I GETTING STITCHES?”
“You are, my love,” I answer.
“Nooooo!!!” – the shriek is consciousness-shattering.
“I’m wondering whether we could give her a little something else?” I ask.
“I don’t like to sedate them,” he answers, “if I don’t have to.”
His call of course, but I am curious as to what “have to” looks like.
He sets us up in a bed and assigns me the job of soothing her before he returns to suture. I do my very best, and she is calm when we are alone, but every time the PA walks back into the room she starts howling like a cornered rabid dog with an attitude problem.
Finally someone coughs up half an Ativan.
Twenty minutes later, she is singing Briar Haven songs and giggling. We pass a lovely spell going through all the old favorites, while I think, “Look! Here’s me, with my loopy cracked-up daughter singing ‘Down By the Riverside.’”
She tells me she’s sleepy, so I tuck her in and stroke her hair, and when the PA comes back into the room, Mare is scared, but not shrieking. I sit on the side opposite the injury and tell her to keep her eyes on me. A nurse is holding her arm. I glance just in time to see it: the needle filled with anesthetic, which the PA pushes deep into the flesh beside Mare’s wound. He moves it around, pressing down on the plunger. She squeals.
“You’re doing so well,” I say. “It’s hard work, to be brave. I know it hurts, but remember that it isn’t actually harming you. It’s just pain.”
The syringe is finally empty. He withdraws it from her hand and opens a package of long black thread.
“Is he going to do the stitches now?” she asks.
“You won’t feel the stitches,” I say. “Hardest part’s over.” I stroke her hair. She pulls my face down to hers, clutches me.
“I need you.”
“I’m here,” I say.
Suturing goes easily – no pain and it’s over quickly. Dr. Button can take the stitches out at his office in a week.
Soon Mare is giggling again and we are leaving the hospital, my hand on her elbow to steady her because she doesn’t know she can’t walk straight.
For the second time in 24 hours, I put her in the car for home. She buckles her seatbelt, asks if we can still go to the playground this afternoon, looks quietly out the window.
And then she says:
“I think I don’t need you because I know that if I did need you, you would be there.”
“Sounds just right to me,” I say.
And we sing “Down By the Riverside” all the way home.








